Michael Myers Top TEN Kills

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Michael Myers is known for his ruthless and chilling kills throughout the "Halloween" film series. While opinions may vary, here are 10 notable Michael Myers kills from the franchise:

1. Bob Simms (Halloween, 1978): Bob is pinned to a wall by Michael Myers after engaging in intimate activity with his girlfriend. This kill is memorable for its suddenness a

nd the way Myers lifts Bob off the ground.

1. Judith Myers (Halloween, 1978): Michael's first on-screen kill, as a young boy, when he stabs his sister Judith to death on Halloween night.

2. Bob's Girlfriend (Halloween, 1978): Following Bob's demise, his girlfriend meets her fate in a chilling fashion as Michael poses as Bob while wearing a ghost costume.

3. Nurse Marion (Halloween H20: 20 Years Later, 1998): A nod to the original film, Marion Chambers is brutally killed by Myers in her car.

4. Debra Strode (Halloween 4: The Return of Michael Myers, 1988): Michael kills his own niece's mother, Debra, in a hospital with a shotgun.

5. Brady (Halloween 4: The Return of Michael Myers, 1988): Brady's death in the barn is a standout due to its brutal simplicity. Michael impales him with a pitchfork.

6. Spitz (Halloween Resurrection, 2002): In a unique kill, Michael electrocutes Spitz while he's dressed as Myers, adding a meta twist to the death.

7. Laurie Strode (Halloween: Resurrection, 2002): One of the most surprising moments in the series, Laurie Strode meets her end in the opening of "Resurrection."

8. Sheriff Brackett (Halloween II, 1981): In the sequel to the original, Sheriff Brackett's death is emotionally charged due to his connection with his daughter Annie's fate.

9. Lou Martini (Halloween II, 1981): Lou meets his demise in a boiling hot tub in a scene that is as memorable as it is gruesome.

Remember, the "Halloween" series includes multiple sequels, reboots, and alternate timelines, so some of these kills might vary based on the version of the story you're considering. The impact of these kills often lies in their unexpectedness, tension-building, and the iconic character of Michael Myers himself.